Showing posts with label mystery plotting. Show all posts
Showing posts with label mystery plotting. Show all posts

Tuesday, May 20, 2014

#Interview Baby Girl Doe by @LarryKelter


A resident New Yorker, Kelter often uses Manhattan and Long Island as backdrops for his stories. He is the author of the Stephanie Chalice Mystery Series and other works of fiction.

Early in his writing career, he received support from best-selling novelist, Nelson DeMille, who reviewed his work and actually put pencil to paper to assist in the editing of the first novel. When completed, DeMille said, “Lawrence Kelter is an exciting new novelist, who reminds me of an early Robert Ludlum.”

His novels are quickly paced and feature a twist ending.




At any given time do you work on only one story at a time…
There are always several ideas competing for attention in my head. In fact, sometimes it’s an effort to concentrate on the one I want to give priority. At the very least I’m working on two at time, the one I’m editing and the one I’m newly creating. Some authors only turn out a single book a year but I usually complete a new novel every four to six months. I also turn out a couple of short stories each year. Busy, busy, busy.

Is there a genre you haven’t written in but would like to?
I haven’t written any supernatural tales but there’s one I’ve been toying with for quite a while. I should’ve started on it already but there just hasn’t been time. It’s based on modern day lore and takes place in the town where I actually live. In order to do it justice I’d to have to conduct several interviews and that takes oodles of time.

Do you add an element of romantic suspense to your stories?
You bet I do. Stephanie Chalice may be a cop’s cop but she’s a woman’s woman first. From the very onset of the series she’s been involved with her eye candy partner, Gus Lido and they’ve had lots of … fun? In fact they have “fun” everywhere. Not to worry, they don’t let their romance get in the way of the cases, they just have lots of libido to deal with and who wants to waste perfectly good libido. At the same time, Stephanie is madly in lust with Dr. Nigel Twain, a dark and brooding British psychiatrist who consults on many of her cases. Stephanie is also plagued by dreams and nightmares. The amatory Dr. Twain is often the subject of her nocturnal fantasies. It’s kind of a love triangle, and Stephanie is constantly torn between her true love and her true lust.

Say you have unlimited funds. What kind of writing office/cottage would you create for yourself?
I’ve often wished that I had a tropical home much like Ian Fleming had. I don’t know if you’re familiar with his life but Fleming used to vacation in Jamaica every winter and had a cottage he named GoldenEye, which is where the name came from for the 1995 film starring Pierce Brosnan. Fleming would write in the morning and then go for a swim in the afternoon. I’d love to have a setup like that, an open-air cottage where I could write while gazing out at the Caribbean. Who wouldn’t, right?

If you could turn your novel into a TV show…
I’d love that. I can’t tell you how many notes I get from readers asking when they’ll be able to watch Chalice on TV or the big screen. I’ve always been a huge fan of visual media and I picture each scene in my head before I commit it to paper. I see Chalice as a cable project because her cases most often involve violent crime and I wouldn’t want to candy coat those scenes. There’s also a lot of sexual tension between her, Lido, and Twain—lots of innuendo and explicit dialogue. Cable would be a much better choice for that reason as well.


Lawrence will be awarding a $25 Amazon/BN gift card to one randomly drawn commenter and 5 autographed copies of the book as runner up prizes (US & Canada only).



Here’s a little bit about Baby Girl Doe, the latest release in the Stephanie Chalice Series.


Blurb:
Everyone deserves a well-earned vacation, don’t they?

Guess again!

Plans have been made and the bags are packed but Detective Stephanie Chalice is having about as much fun as Michael Vick at an ASPCA fundraiser.

In his latest thriller, “Baby Girl Doe,” Chalice tackles murder, arson, abduction, and government secrets held as closely to the vest as those related to the existence of UFOs at Area 51 in Roswell, New Mexico.
The new story finds Chalice and her eye candy husband, Lido on the East End of Long Island, vacationing with Max, their new arrival. Things go wrong from the very start. Their vacation rental burns to the ground, bodies pile up, and just to make things interesting, Lido . . . All I’ll say is that you’ll never believe it.
Chalice may be out of her jurisdiction but she's never out of questions or determination and soon connects two unsolved homicides. As always, the whole is greater than the sum of its parts, and her initial findings plunge her deeper and deeper into the most extraordinary investigation of her career.
NY Times best-selling novelist Nelson DeMille actually assisted Kelter in the editing of his early work, and has said, “Lawrence Kelter is an exciting novelist, who reminds me of an early Robert Ludlum.”
There are a total of five books in the Stephanie Chalice Thriller series, which include Don’t Close Your Eyes, Ransom Beach, The Brain Vault, Our Honored Dead, and now Baby Girl Doe. The Series has sold hundreds of thousands of copies worldwide and topped bestseller list in the US and UK. He is originally from Brooklyn, NY and has not gotten very far from his roots. He currently resides on Long Island with his wife.

 
Excerpt:


Dramatic

I zigzagged between the two opposing lanes of traffic as I gave pursuit.

He was in a flat-out run, but I was not going to be beaten. Not now, not with Gus’ captor in sight. I reached down deep and found an extra gear, one that I didn’t know existed. I was running so fast, I felt as if I could take off. I was closing in on him: two yards behind . . . one . . .

I lunged and took him down by the ankles. As he attempted to kick free, I pounced upon him, fists flying. I hauled back and was ready to pummel him when I froze. “You? It’s you?” The face I was about to strike was one I had seen before, but looked nothing like the person I had seen on the ladder outside my bedroom window. This man was the one who told me there was absolutely nothing suspicious about the fire the day I first inspected the remains of Bill Alden’s cottage. Two bodies, burnt beyond recognition—now I understood who would use that specific MO. Dummy, you couldn’t make the connection?

“You son of a bitch.” I heard the sound of others running toward me, but my fist was clenched.

“Chalice, we’ve got him,” Ambler said. “Don’t!”

There was no force on heaven or earth strong enough to keep me from striking him, this man who had turned my family’s world upside down and put my husband’s life at risk. I drove my fist into his jaw and heard it crack. I was ready to hit him again when someone grabbed my arm. I looked up and saw Gus. His cheek was swollen, and there was dried blood on his face.

“Thanks, babe,” he said, “I’ll take it from here.”
Where to Buy: Amazon

Barnes and Noble

Monday, July 29, 2013

No tattoos

Or why my Marine Special Forces don't have tattoos despite my love of them on a man.

When I searched tattoos on special forces I found a military forum (you have to sign in to access it) that very specifically said:
There is a lot of misconceptions out there about this subject -mainly due to movies and television shows. Having a "Unit identifying Tattoo" is frowned upon and greatly discouraged at all levels of Special Operations....especially in SEAL and SF units. SEAL's and SF guys have tattoos -I see more and more tattoos on younger guys in the units -BUT not "Unit Identifying Tattoos".

Which makes a whole lot of sense! What if they're captures while undercover? If the guy has a tattoo then that cover is totally blown. No hiding the fact that you're special forces then.

Friday, July 12, 2013

The Sydney Rye series by @ejkimelman




About Emily:
Emily Kimelman lives on a boat in the Hudson Valley with her husband, Sean and their dog Kinsey (named after Sue Grafton's Kinsey Millhone). Kimelman has a passion for traveling and spends as much time as possible in the pursuit of adventure.

Her "Sydney Rye Series" are dark murder mystery novels which features a strong female protagonist and her rescue dog, Blue. This series is recommended for the 18+ who enjoy some violence, don't mind dirty language, and are up for a dash of sex. Not to mention an awesome, rollicking good mystery!

The first three books in Kimelman's series, UNLEASHED, DEATH IN THE DARK, and INSATIABLE are available in the Kindle store individually and in a box set. The fourth book in the Sydney Rye series STRINGS OF GLASS is due out Mid-Summer 2013.

If you've read Emily's work, and enjoyed it, please let Emily know. You can reach her via email, on her blog, on Facebook, or on Twitter.



Emily will be awarding a $25 Amazon GC to one randomly drawn commenter. a Rafflecopter giveaway 



Books 1-3, The complete Series Box Set (Value Pack)

The Sydney Rye series of mysteries features a strong female protagonist and her rescue dog, Blue. This series is recommended for the 18+ who enjoy some violence, don't mind dirty language, and are up for a dash of sex. Not to mention an awesome, rollicking good mystery!

This box set includes all three of the Sydney Rye Books.

UNLEASHED (A Sydney Rye Novel, #1)

When the series begins Sydney Rye is named Joy Humbolt. She does not like people telling her what to do, so it comes as no surprise that she was just fired from her last job. When she buys Charlene Miller's dog-walking business on Manhattan's exclusive upper east side, it seems like the perfect fit: Quiet environment, minimal contact with people.

But then one of her clients turns up dead, and Charlene disappears. Rumors say Charlene was having an affair with the victim--and of course, everyone assumes Joy must know where she is. Joy begins to look into the crime, first out of curiosity then out of anger when there is another murder and threats start to come her way.

When police detective Mulberry is assigned to the case, Joy finds a kindred spirit--cynical and none-too-fond of the human race. As they dig deep into the secrets of Manhattan's elite, they not only get closer to the killer but also to a point of no return. One last murder sends Joy Humbolt hurtling over the edge. Her only chance of survival is to become Sydney Rye.

DEATH IN THE DARK (A Sydney Rye Novella, #2)

At the beginning of Death in the Dark we find Joy Humbolt hiding, not only from the law, but also from her past and the mistakes she's made. Living this isolated life doesn't last long though when a visit from Mulberry brings Joy to accept her new identity as the Private Detective, Sydney Rye. To complete the transformation, Joy must learn to control her emotions as well as her giant aggressive dog, Blue. With the help of an expert trainer, Joy learns to fight with her mind as well as her body. However, when the daughter of a close friend is brutally murdered in the desert, Rye turns away from her mentor to seek revenge. Sydney's quick temper and deadly intentions lead her into a trap that she will need all of her new skills to survive.


INSATIABLE (A Sydney Rye Novel, #3)

The third book in the series begins with private detective Sydney Rye living a simple, disciplined life in London, but when a dangerous man from her past calls, Rye finds she cannot turn him away. Robert Maxim explains that the daughter of a powerful friend has gone missing and he wants Rye to find her. In exchange he offers her something she had given up hope of ever having; freedom from her past.

With her dog, Blue, at her side, Rye meets up with her new partner, a handsome man she's not sure she can trust. Heading for Mexico City, they go undercover, posing as husband and wife. After meeting with the bereaved parents, Rye starts to sense that there is more going on than just a missing girl. But it isn't until they arrive in the Yucatan Peninsula, hot on the girl's trail in Paradise, that all hell breaks loose. Sydney has to reach out for help from old friends and deal with the consequences of her past, if she's going to find the girl and keep them all alive.


Excerpt from Unleashed:

A white fog hung in the dark sky. The mist dulled the glare of the streetlights. Beads of dew covered the parked cars and sparkled in the soft yellow light. Blue led the way into Prospect Park.

As soon as I let him off leash, he bounced down the paved path. The gently rolling lawn glowed a silver green. The man-made forest was a wall of blackness. The fog hung low above us. We wandered onto smaller trails and roamed through the trees, up steps to the top of the biggest hill, then down and around the lake that glimmered in the night’s light.

Three men sat on a bench. They wore rags and suckled on bottles in brown paper bags. One stood up, unsteady. He opened his mouth to speak, a naughty smile playing in his rummy eyes. Blue stepped out of the shadows, where he had been investigating an interesting smell, and moved to my side, falling in step with me. Fear twisted the man’s smirk into a grimace. He stumbled back to his friends, whispering, “Devil.” The three men cowered on the bench as Blue and I passed. We walked home with our heads held high, afraid of nothing and nobody.

Buy links:
Amazon
Barnes and Noble

Monday, June 11, 2012

Monday Musings

Contemporary thriller? Historical paranormal?

Those are the questions I have this week as I attempt to construct a new story. Trilogy really. Shorts, 25,000-30,000 words.The questions is...thriller or paranormal...contemporary or historical?

Tuesday, October 19, 2010

Red herrings

In my latest ms, the dark regency story, tentatively titled Dark Inheritance, I use many a red herring. Okay, anyone who knows my thought process knows the more red herrings tossed in the better! But I thought today I'd talk about what the hell a red herring is.

The answer I've always known and the one supported by a History Channel program I love: Worst Jobs in History.


In the 1997 edition of Facts on File Encyclopedia of Word and Phrase Origins, Robert Hendrickson firmly asserts that “Escaping criminals in the 17th century would drag strong-smelling red herring across a trail to make pursuing blood-hounds lose the scent”. Brewer’s Dictionary of Phrase and Fable, and many dictionaries, say that red herrings were used to confuse the hounds chasing a fox.

Then, in finding a resource I could use to quote in this blog, I found this (same site):



The OED’s current entry for the figurative sense of red herring points to a reference in Nicholas Cox’s The Gentleman’s Recreation of around 1697 (Mr Ross says it was actually in a treatise by Gerland Langbaine on horsemanship that was bound into the third edition of this work without attribution) that appeared to suggest that hounds were trained to follow a scent by trailing a red herring on the ground.

This was a misunderstanding, as Langbaine included it in a section on training horses so that they became accustomed to following the hounds amid the noise and bustle of a fox hunt. He suggested a dead cat or fox should be dragged as a training-scent for the hounds, so that the horses could follow them.

If you had no acceptably ripe dead animals handy, he added, you could as a last resort use a red herring. Neither the original misunderstanding of the text or the correction suggests why red herrings might be thought of as laying a false scent to draw hounds off a trail, quite the reverse.


Eh, it all boils down to the same thing: to throw off the scent. To confuse the issue.

Sunday, September 23, 2007

Mystery Romance

I now know why there's no mystery-romance sub-genre. Romantic suspense is as far as it gets because it's damn hard to have a real mystery with a romance. I think it's time to tweak the plot here. Romance is still the name of the story (A Cold Winter's Night), and there's definitely a mystery, but I'm thinking suspense rather than bringing them together at the end.

Or maybe tweaking the romance? Hmm, there might be an idea. Change that up a little, make it work in the mystery setting. That might be the way to go here.

Friday, September 21, 2007

Plotting

I've never plotted a mystery before. It's harder than it sounds, and much more difficult than a suspense. With a mystery you can't reveal too much too soon or too many clues. With a suspense it doesn't matter what you reveal to who and when.

I'm trying to catch up on my Agatha Christie and old B&W who-done-its. Some of them it's hard to guess who before the big reveal; some not so much, mostly because they drop too many clues or jump to conclusions rather than follow the leads.

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